Blog

I’m back once more in Dublin and it’s great to be home for the lazy tail-end of summer. I really love the long summer evenings and the delights of catching up with family and friends once more. Of course, the holiday buzz doesn’t last too long, and reality soon kicks in with a mountain of washing, a garden gone wild, and a long list of school books and school uniforms that need to be bought.

I find that if I don’t paint regularly, I lose the momentum. I don’t know why, but even a break of a few days can knock my routine off balance, and make it a struggle to get back into painting. So I try to do a little every day, even if it’s just a small study of a leaf or a seed.

With so many distracting chores to do, I decided to do a small study of the Erythrina lysistemon seedpods which I brought back from Cairo. Seedpods are ideal for those times when you have only an hour or two here and there. I love fresh flowers, but it’s so often a race against time to capture their loveliness. Stop to make dinner or to run down to the shops, and you’ll find that the blooms have wilted and the petals have dropped. Seedpods are a far more cooperative and patient subject.

A native of South Africa, the Coral tree (Erythrina lysistemon) is the first tree to bloom each spring. Traditionally it’s striking red flowers would herald the end of winter and signal the time to sow the crops. Of course, the flowers are long gone now, but the trees were full of these wonderful seedpods. Having painted them several times before, I felt confident with their structure and colour.

 To spice it up, I decided to paint my seedpods on a small piece of natural calf vellum. I haven’t used this type of vellum before, but I really like the colour and the subtle markings on the surface. It was nice to paint on, but a bit unforgiving compared to the chalky smoothness of kelmscott.

I drew out my design first on tracing paper. It’s easier to correct mistakes on tracing paper than on the vellum. The size of the vellum meant that I had to change the position of the seedpods to fit.

I transferred the design onto the vellum and began the first washes using cobalt violet and cerulean, and then a whole range of those gorgeous earthy colours- raw sienna, raw umber, burnt umber, burnt sienna, light red, perylene maroon, perylene violet, indanthrene blue.

Normally I would give the whole composition an all over wash, but as I was dipping into this whenever I got a moment, I felt like painting it one seedpod at a time. I also decided to leave the bright orange seeds until the end. There’s no real reason for this except that I am the kind of person who likes to save the best bit until last and these were definitely the cherry on top of the cake.

So there you go… a fun little piece that kept the painting cravings at bay!

I have been asked about my date seeds too, and am delighted to report back that not only did my little seedlings survive three plane trips in my suitcase, but since their arrival, they have begun to sprout leaves! I am recording their progress in my sketchbook- it’s quite exciting! 

It may be the end of summer, but my little bit of sunshine fun continues.